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Five of George Clooney's best indie film roles

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Five of George Clooney's best indie film roles Empty Five of George Clooney's best indie film roles

Post by Katiedot Mon 22 Oct 2012, 08:37

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One of the most influential, successful stars in Hollywood is also — luckily for fans of innovative filmmaking — not afraid to take risks. Though he has starred in the kind of huge, slick hits that have established him as a dashing leading man, his tastes have always veered more political, more satirical. In THE PERFECT STORM — airing Sunday at 10P on Sundance Channel — Clooney is the captain of a Massachusetts fishing boat desperately holding onto a dying industry who goes out for one more big catch with a hurricane and two other massive weather events bearing down. But nothing could capsize this megastar’s compellingly diverse, endlessly entertaining body of work. It was hard to whittle it down, but here are five of our very favorite Clooney indie roles.




GOOD NIGHT, AND GOOD LUCK
Clooney is always commanding onscreen, but he reveals his truth breadth of talent when he also steps behind the camera — as he did in 2005′s GOOD NIGHT, AND GOOD LUCK. In the daring black-and-white depiction of the war of words between newsman Edward R. Murrow (David Stathairn) and Senator Joseph McCarthy, whose crusade to weed out supposed Communists in the U.S. was profoundly impacted by Murrow’s public critique, Clooney played CBS exec and Murrow ally Fred Friendly. GOOD LUCK was nominated for six Oscars, including two for Clooney, Best Director and Best Original Screenplay. Though it walked away empty-handed, it proved Clooney to be a serious filmmaker of conviction (he reportedly received $1 in payment for writing, directing and starring in the movie and mortgaged one of his homes to finance it).



FANTASTIC MR. FOX
Surprised to see an animated movie on this list? You shouldn’t be. Under Wes Anderson’s masterful direction, Clooney embodied the charmed (and charming) title character, a family fox drawn to commit a heist against three greedy and grotesque (human) neighbors. A marvel of stop-motion animation, the hilarious and heartfelt FANTASTIC MR. FOX proved you don’t have to see Clooney’s handsome face to be swept up by his charisma. The film’s all-star cast also included Meryl Streep, Jason Schwartzman, Willem Dafoe and Anderson favorite Bill Murray.



O BROTHER, WHERE ART THOU?
Whenever the Coen brothers make a movie, you know you’re in for something out of the ordinary. No more so than in this surprise 2000 hit, a sepia-toned, Southern reinterpretation of Homer’s Odyssey featuring supremely catchy bluegrass music, a cyclopsian Klansman (John Goodman), a flood and a cow floating by on a roof. Clooney played Everett McGill, the Ulysses character, who convinces two fellow members of a chain gang (John Turturro and Tim Blake Nelson) to make a break for it in pursuit of a hidden treasure. Their epic adventure offered Clooney an opportunity to surprise fans and critics alike with his comic chops and convincing Kentucky drawl (it is his home state, after all).



CONFESSIONS OF A DANGEROUS MIND
This oddball 2002 psychological-spy pseudo-biography (we mentioned that it was oddball, right?) was so hard to pin down, it almost didn’t happen. Based on the memoir of game-show host Chuck Barris (Sam Rockwell), it focuses on his wackadoodle supposed double life as an assassin recruited by CIA agent Jim Byrd (Clooney). When the original director dropped out of the project, Clooney stepped in and CONFESSIONS became his directorial debut. It’s a delightful, strange journey into an unhinged — and maybe even dangerous — mind (Barris himself was involved in the production, wanting to ensure that his story was told accurately).



OUT OF SIGHT
George Clooney and Jennifer Lopez, both early in their careers, locked in a trunk together… need we say more? Steven Soderbergh’s sizzling 1998 adaptation of an Elmore Leonard crime drama stars Clooney as Jack Foley, a bank robber who escapes prison by taking U.S. Marshall Karen Sisco (Lopez) hostage. Of course sparks fly, even as he takes off and she attempts to bring him back to justice. OUT OF SIGHT marked the first time Clooney and Soderbergh worked together, but certainly not the last; the two have since collaborated on the OCEAN’S ELEVEN trilogy, THE GOOD GERMAN and SOLARIS. Charming, sexy, a little weathered, in OUT OF SIGHT, Clooney looks for the first time like the star we’ve come to know and love.

And we just have to include a few honorable mentions: SYRIANA (for which Clooney won an Oscar), UP IN THE AIR, THE DESCENDANTS. What’s your favorite indie Clooney role?

I'm not sure that I'd include Out of Sight as an indie film, much as I love it and I'd probably replace Fantastic Mr Fox with his performance in Solaris.

Your thoughts?
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Post by Joanna Mon 22 Oct 2012, 10:44

Sorry......But I don't understand the term "indie film"
or "indie Clooney" role.
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Post by it's me Mon 22 Oct 2012, 12:07

indipendent

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me neither
before help
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Post by Katiedot Mon 22 Oct 2012, 12:56

Indie films are films that were made outside of the big studios, usually for little to no budget. Nowadays a lot of studios have their own 'indie' studio themselves where they make edgier, more artistic films as opposed to the mass-market type of film.
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Post by it's me Mon 22 Oct 2012, 12:59

tell me
do they still exixt
those mass-market type of film?
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Post by Joanna Mon 22 Oct 2012, 13:57

Thanks IM & Katie...not heard the term before.

I liked all the ones listed except Mr Fox...I fell asleep watching the DVD, so maybe I need to give it another try...Lol

GN&GL, OBWAT & Solaris are my particular favourites.
I thought he showed real emotional pain in Solaris...and looked good too out of his space suit !
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Post by Joanna Mon 22 Oct 2012, 14:00

it's me wrote:tell me
do they still exixt
those mass-market type of film?


Yes IM....think Ironman & The Avengers as examples....all
very good films....and all the big special effects 3D films....Tintin was great too.
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Post by Way2Old4Dis Mon 22 Oct 2012, 19:32

If I'm not mistaken, all of these, with the exception of Good Night, and Good Luck, had some level of studio involvement in their production. And The American was financed through foreign private investors, I think. The Coen brothers,Wes Anderson, Soderbergh, and directors of that standing may call themselves 'independent' because they develop their own projects, but they take them to the studios at some point. Almost all major-release movies have studio-backed distribution. It's very difficult for a truly independent film to get made these days, and even harder to get wide release and a theatrical run. Everybody spends Other People's Money.

So I wouldn't call this a list of George's "independent" work.

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Post by cindigirl Mon 22 Oct 2012, 20:48

[quote="Katiedot"]
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OUT OF SIGHT
George Clooney and Jennifer Lopez, both early in their careers, locked in a trunk together… need we say more? Steven Soderbergh’s sizzling 1998 adaptation of an Elmore Leonard crime drama stars Clooney as Jack Foley, a bank robber who escapes prison by taking U.S. Marshall Karen Sisco (Lopez) hostage. Of course sparks fly, even as he takes off and she attempts to bring him back to justice. OUT OF SIGHT marked the first time Clooney and Soderbergh worked together, but certainly not the last; the two have since collaborated on the OCEAN’S ELEVEN trilogy, THE GOOD GERMAN and SOLARIS. Charming, sexy, a little weathered, in OUT OF SIGHT, Clooney looks for the first time like the star we’ve come to know and love.

I'm not sure that I'd include Out of Sight as an indie film, much as I love it and I'd probably replace Fantastic Mr Fox with his performance in Solaris.Your thoughts?

I have the DVD on Out of Sight and on the deleted scenes it mentions they had to do over 30 takes on the trunk scene. I thought it was funny that when finally after the second day of takes George came out of the trunk with a wet cloth on his head and said "Oh my God," and Jennifer Lopez was completely calm.
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